Over the Edge
Dramatic in the best sense of the word, Norbert Hirschhorn’s new collection is written to be spoken and meant to be heard.
Reviewed by Warren Woessner
Dramatic in the best sense of the word, Norbert Hirschhorn’s new collection is written to be spoken and meant to be heard.
Reviewed by Warren Woessner
A new edition of Robert Desnos’s truant poem marks the 50th anniversary of its translation into English by New York School poet Lewis Warsh.
Reviewed by Geoffrey Hagenbuckle
The grotesque yet inquisitive poetry of Joe Hall returns to the limelight in Fugue and Strike, his fourth full-length collection.
Reviewed by Greg Bem
Rob Schlegel’s fourth poetry collection examines parents' fragile emotional resilience in an age when capital and mass media tell us to find individual solutions for collective problems.
Reviewed by Stephanie Burt
The artist Agnes Martin slips in and out of Lauren Camp’s new poems like a wraith, an invisible companion.
Reviewed by Richard Oyama
Lynn Lonidier's poetry is invariably unique, and all the more valuable for it, as it realizes an idiosyncratic sensibility.
Reviewed by Patrick James Dunagan
For poet Mike Lala, the city is ground zero for both the violence of history’s erasure and the deluge of its return.
Reviewed by Peter Myers
In her newest collection, Tricia Knoll offers a worthy addition to the poetry of trees.
Reviewed by George Longenecker
History and memory swirl and converge as Jianqing Zheng’s poems trace the profound personal and political transitions of the Cultural Revolution.
Reviewed by Michael Antonucci
French poet Joyce Mansour’s Emerald Wounds, translated by Emilie Moorhouse, presents a world ripe with magic, the kind that exalts and transforms by the power of words.
Reviewed by Allan Graubard