Soutine Impacted: an essay-review
by Clayton Eshleman I saw my first Soutine in 1963 in the Ohara Museum of Art, Kurashiki, Japan. It is now identified as "Hanging Duck," painted around 1925. Seeing this "thing" was so riveting that I remember nothing else in the museum. It was a hybrid fusion, at once a flayed man hung from a […]